On April 24, the Latino Committee (LC) meeting featured the discussion, Action with Storytelling: In Conversation with Director Ben Hernandez Bray. During the discussion co-moderated by LC Co-Chair, ...

Director Savanah Leaf, a former Olympian, tells how an injury led her to directing commercials.

Director Carrie Havel describes her path to becoming a director within the unscripted realm of television, which included NBC’s Alternative Directing Program.

Director Linda Malino Coppola recounts the most exciting (and challenging) moments in her career.

Badham talks about how he wanted to approach directing Saturday Night Fever like a documentarian since he had little knowledge of New York City's disco scene.

Vallée discusses why it is important to him to be able to capture unique camera angles, even when they partially obscure the actor, as these "imperfections" can draw audiences deeper into the story.

Director Jean-Marc Vallée talks about his new film, Wild, with Jason Reitman at the DGA in Los Angeles.

Assistant Director Stacey Beneville suggests directors break stunts into segments to help actors perform each shot as perfectly as possible.

Moderator/Director Arthur Seidelman and choreographer Kay Cole share what they learned from working with non–dancing actors on the stage and film versions of Six Dance Lessons in Six Weeks.

Director Valerie Weiss moderates a discussion featuring Director Kat Coiro and UPM Kati Johnston on ways members can reduce on-set waste and model leadership that supports a sustainable future for the ...

Director Kenny Ortega shares the challenges and what he learned from working with Director John Hughes on two of the most famous dances in Pretty in Pink and Ferris Bueller's Day Off.

Vallée describes shooting a scene on Wild that is emblematic of his style, which includes utilizing natural light as much as possible.