Luca Guadagnino takes some big swings in this witty, frenetic three-hander starring Zendaya, Josh O’Connor and Mike Faist, where the sexual tension plays out on and off the tennis court.

What could go wrong? Ahead of the release of the new Ryan Gosling action comedy The Fall Guy, we look at movies that put stunt people centre stage – from Drive to Once upon a Time in Hollywood.

Pat Collins approaches John McGahern’s final novel about a couple’s return to rural Ireland with the attentive eye of a documentarian, encouraging viewers to adjust to a slower pace of life along with ...

In our Winter 1948/49 issue, Michael Balcon, the legendary British producer and head of Ealing Studios, recalled the manifold challenges faced by the crew of the Robert Falcon Scott biopic.

Seasons include Tigritudes, a major exploration of Pan-African cinema; the conclusion of a focus on Italian neorealism; and Discomfort Movies – a season of films which are the antithesis of the ...

Sirk’s desolate melodrama, about a husband in a dull suburban marriage who falls for another woman, offers a happy ending in which everything is fine and no one is happy.

Neglected since its first screenings in 1971, the newly restored Bushman follows a Nigerian man’s experiences in counterculture-era San Francisco, but is interrupted by the arrest of its leading man.

Paola Cortellesi’s debut – already a breakout hit in Italy – puts the spotlight on women’s post-war subjugation with a satirical depiction of an abusive marriage that’s full of formal playfulness.

Lindsay Anderson: I have done hardly anything for television before Glory! Glory!, except for one play, what they call a television play, The Old Crowd [1978], from a script by Alan Bennett. I had a ...

Axel Danielson and Maximilien Van Aertryck’s ambitious documentary spans the birth of camera obscura to the invention of TikTok using a cursory approach that allows for little insight.

A song from 1,000 years ago wreaks havoc, while family responsibility weighs heavily on a Mongolian maths whizz.

Ahead of our neorealism season, we take a whistle-stop tour through the career of Italian master Roberto Rossellini – a man who reinvented cinema. And then kept on reinventing it.